Jazz at Lincoln Center Presents:

Herlin Riley

 

Date: Friday, May 31 at 7 PM

General Admission: $60

Senior (65+): $45

Student (6+): $45

Member: Use ID # to receive 15% discount

 
 

One of jazz’s living legends, drummer Herlin Riley can not only lay down grooves with the best of them, but he can do it while twirling his sticks in the air like a trapeze artist, moving effortlessly from drum set to cowbell, tambourine, wood blocks, and back again — all while grinning from ear to ear. Hailing from the “cradle of jazz,” New Orleans, Riley has astounded audiences in major venues around the world, where he’s performed alongside fellow greats like Wynton Marsalis, Jon Batiste, Ahmad Jamal, and the Jazz at Lincoln Center Orchestra.

Experience the full range of Riley’s energetic performance style — balancing moments of tender sweetness with those of driving, full-throttled intensity — as he and a combo of special guests transform the intimate galleries of MoCA Westport into Connecticut’s hottest jazz club. Come as early as 6:30 PM to purchase a drink, check out our current exhibition, and settle in for an incredible evening of jazz standards and Riley’s original toe-tapping tunes.

Arrive as early as 6:30 PM to purchase a drink and check out the current exhibition.

Herlin Riley is a native of New Orleans. He’s a member of a New Orleans musical family (The Lastie Family). Today he’s considered to be one of the most premier and prolific drummers in the world today. The range of his musical experiences makes the demand for his drumming skills a first call for performers, recording artist and teaching engagements. Herlin started on the drums when he was three. He played trumpet through high school but went back to drums after college. Soon afterwards he began getting more calls to play drums than trumpet. In the early 80’s Herlin switched to playing the drums exclusively and was called to London, Australia and Europe to play in a 1920’s style musical called One Mo Time. Immediately following, he got the call to play with trumpeter Al Hirt. After leaving Hirt’s band he spent 5 years with jazz pianist Ahmad Jamal. In 1988 Herlin was invited to play with the Wynton Marsalis Quintet, which augmented to a septet and later became The Lincoln Center Jazz Orchestra. As a member of The LCJO, Riley played a large roll in developing the drum parts for Wynton Marsalis’s Pulitzer Prizewinning recording Blood On The Fields. Herlin has also played and/or recorded with Harry Connick Jr., Jon Batiste, George Benson, Dr Lonnie Smith, Dianne Reeves, Cassandra Wilson, Ruth Brown, Dr John, Cubanismo, McCoy Tyner, John Clayton, Dee Daniels, Ambrose Akinmusire, Junko Onishi, Yutaka Shiina, Rufus Reid, Ellis Marsalis, Steve Turre, Terence Blanchard, Nicolas Payton, Ellis Marsalis, Branford Marsalis, Delfeayo Marsalis, Victor Goines, Clifford Lamb and many more. Riley has collaborated with two other New Orleans drummers (Shannon Powell and Jason Marsalis) to form a group called The New Orleans Groove Masters. In 2020 The Groove Master recorded a single entitled Get Backduring the Covid 19 pandemic. Herlin Riley is also an educator and lecturer in jazz drumming and percussion. Herlin was an adjunct professor at the Bienen School of Music at Northwestern University in Chicago, The Juilliard School of Music in New York and The University of New Orleans jazz studies program. He has four recordings as a leader Watch What You’re Doing& Cream Of The Crescenton the Criss Cross Jazz label and New Direction& Perpetual Optimism” on the Mack Avenue labelHerlin Riley is the featured artist in the book and video titled New Orleans Jazz and Second Line Drumming. In addition he wrote the forward to the book Drumsville The Evolution Of The New Orleans Beat, written by Robert H. Cataliotti.

Photo by James Wighams of JWP Photographer Studio in New Orleans

 

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Refund & Weather Policy

Tickets are transferable to another concert of your choice or other individuals. If a concert is cancelled due to weather conditions, tickets will be valid for the rescheduled date. Please consider the price of unused tickets as a donation. No refunds will be issued.

 

 

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